An Interview! And a bit of news.

The good people at the Canada Reads American Style podcast recently asked me some questions on editing and writing and my process of becoming an editor and a writer (and a publisher), and I provided some mostly coherent answers for 30 minutes – except for becoming a publisher, which I neglected to answer. It was late, and we had some technical issues, and I’d already edited 15,000 words that day…. That’s here:

https://canadareadsamericanstyle.podbean.com/e/interview-lee-thompson-author-and-editor/

And the bit of news? Apastoral did win the NB Fiction Award for 2022. That was months ago. That was nice. And it has gone into a second printing. And something new by me should be out in the next six months.

Lastly, I finally launched Galleon Books! Jerrod Edson’s The Boulevard and Jake Swan’s Grantrepreneurs are getting great reviews and, well, modest sales. Go buy them!

Lee

A Finalist…

Some Apastoral news arrived in the last few weeks, as I found out the book was one of three finalists for an NB Book Award. The winners will be announced on June 3 during a ceremony in Saint John. The full list of nominees in all categories is here.

Below, my sheep and its two shortlisted companions (The Summer the School Burned Down, Meghan Rose Allen, and A Bend in the Breeze, Valerie Sherrard).

A Book Abroad (novel out)

As always, I need to find time to update this blog with the greater ins and outs and ups and downs of my literary life, including words about recent grants for a to-be-written novel (thanks ARTSNB and Canada Council!), and progress with Galleon Books (titles on the way), but for now here’s a quick snippet, my publisher Rick Harsch with some extemporaneous musings on my recently published novel Apastoral: A Mistopia:

Interested in a copy of Apastoral? Try the Corona/Samizdat website, or send me a note. You won’t it on Amazon, or any-else-where.



“This is a novel that’s bleak and funny, down beat bit bumptious. You can see Lee inverting mores, ideas, professions, moods, logic, and the bestial nature of the human animals in ways that says this is all madness!” Jeff Bursey, from the Introduction.

“A stream-of-consciousness excursion into the animal mind of human suffering that chills to the bone even as it tickles the rib. Its unique brand of brutality reads with the haunting familiarity of a recurring nightmare.” Steven Mayoff, author

“The book reads with the zest of a Marx brothers caper, with all the layers of humor, the periodic moments of seemingly simple genius, a wealth of detail, and plenty of narrative shifts.” Rich Harsch, Publisher

Lee

Sept 8, 22

What I’ve been up to…

I’m well, but the first casualty of my busy life is social media. So Facebook, Insta, Twitter, yada yada… all fading away. But what have I been up to?

For one, editing and layout work. I think in the past five years I’ve had maybe one week where there was nothing on my plate. This also includes maintaining a client’s website and loads of correspondence with clients and potential clients. I’ve also been writing, finishing off a story collection began in 2014 and starting a novel. I’ve been slowly putting together Galleon as an online journal, hoping it’ll go live in the next month or so.

Two, music, primarily rehearsing and recording with Cindy. There are songs in the works, but for now I’ve been helping to record Cindy’s own material. Check this awesomeness out:

Three, running. Gotta keep in shape, building up to run a half marathon this summer.

And on that note… Off I go!

Maybe we need a new title here…

See, when I first started this blog in early 2014 the word “indistractable” brought up only a few Google hits, assuring me of its relative originality but disabusing me of any true clams on the word (“get your clams off me!”).  That was unlikely anyway – nothing much is truly new under planet Neologism’s sun. But now there’s a book entitled Indistractable, which would explain a surge of random (not fandom) hits the past year here.

Yeah, it deals with ADHD. And though I may harbour a few ADD dinghies myself, the reason why I called my blog Indistractable was because it was just a neat word I hoped I’d coined and I’m not, I’m very.  Neat? Nah, distractable.

Meanwhile, “Corvid-19” is nothing to crow about and  brings up nearly two million hits, several articles in respectable web-roosts, but typo or no (see here for an example from the Read Dear Advocate)  it’s hardly murderous error and no pandemonium has ensued.

And what’s a writer/editor to do in this viral hunkerdown but work on while others work on their works in progress. Stay safe everyone,  grow herbs in your window and watch the (non-corvid) starlings search the peeps of grass for signs of spring while snow falls softly around their feathered…

Oh, I seem to have gotten distracted.  Back to work…

I read & write all the time, yet I hardly read & write at all…

And that sums up why I haven’t been posting much. Maybe this is the year though that I work out how to be both a busy editor/book designer and a writer who’s actually writing… Meanwhile, here’s a photo of my office.

20200113_120119_001

My books, my reading chair, and a cat.

Story Publication

Very pleased to see my story “The Stranger at the Gate” online now at ancrages.ca. Well, not just the story – in English, French (translation by Herménégilde Chiasson) and Mi’kmaq (translation by Serena Sock) – but also the video of my reading at the Aberdeen Cultural Centre (which was a group performance), Plus, there’s artwork by Emma Hassencahl-Perley.

This was all done through the Ancrages project Faire Communauté (Creating Community), a province-wide tour in late 2017 by selected authors.

The story and the video are found linked under my bio here:
http://ancrages.ca/en/no-17-creating-community/lee-thompson-the-stranger-at-the-gate/

Other participants’ stories/essays/videos are here:
http://ancrages.ca/evenements/faire-communaute/

Enjoy!

 

A Prize!

I’m not sure what year it was – perhaps 1998 – but my first acknowledgement from the writing world came when I was awarded a 2nd prize in the Writers’ Federation of New Brunswick’s Literary Competition. I do remember that the judge in the short fiction category was St. John’s author Paul Bowdring, and that Miramichi author (former author?) Larry Lynch took first prize. My story was called “Anna” and (something I also recall) it was the first time I wrote without quotation marks for dialogue.

Queue my long history with WFNB: from 1999 to 2014 I was (though not always but sometimes concurrently) a board member, newsletter editor, webmaster, five-year “interim” executive director and unofficial photographer. During that time, I never again entered the literary competition – I found judges, notified winners, co-emceed the awards soirée.

But this year I did enter the competition, aiming for the David Adams Richards Prize by sending four of my “Shabazz stories” (nearly 30,000 words) under the title “The Purpose of Evolution in Not Immortality” (yes, I got two grants in 2016 to write this same collection).

A few days back a call came from WFNB executive director Cathy Fynn with the satisfying news that…. I’d won. The judge’s comments:

Sophisticated literary fiction: haunts, tickles, and disturbs — and subverts. I laughed several times in places I later felt I shouldn’t, and I often shuddered. I at once admired the writer’s technique, and experienced emotional connections with the characters; those two things don’t always happen.  Because the writer seems to be not as concerned with plot as much as what the characters believe is happening, some stories risk sag in the middle. Overall, however, the work is a delight: rich and strange.

The ‘sag’ must be watched, but that’s the risk of rambling/gambling (gamboling!) outside the plot (something I’ve loved doing since reading Gogol so long ago).

Am still writing this collection, but with one story at Numero Cinq, one published as a chapbook, and the aforementioned grants, this concept (Dr. Shabazz, a mysterious psychologist) continues to treat me well.

And nice to come full circle with WFNB.

A nod of thanks for both the Canada Council for the Arts and ArtsNB for supporting the writing of the collection.